Sampler Modulation: Difference between revisions

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= Modulation =
= Modulation =


Adding modulation to samples greatly expands the possibilities of their sound beyond the original audio, which is achieved by affecting five basic properties of a sample: Volume, Panning, Pitch, and the Cutoff and Resonance of an added filter. The actual modulation envelope for each invidual property is created by chaining various devices together and when all collected together are known as a Set.
Adding modulation to samples greatly expands the possibilities of their sound beyond the original audio. To achieve this, various devices are chained together to create a modulation envelope. Separate envelopes are used to affect five basic properties of a sample: Volume, Panning, Pitch, and the Cutoff and Resonance of an added filter. These five envelopes are collected together as a Set. Any number of Sets can be created and each instrument has its own unique Set list.


Through this system each sample can be assigned a different Set, and therefore be affected by modulation in completely different ways, or a Set can be reused any number of times to affect multiple samples simultaneously. Any changes made to a Set will affect all linked samples.
The individual samples of an instrument can be assigned any one of its Sets, allowing different samples be affected by modulation in different ways. A Set can also be assigned to multiple samples simultaneously and any changes made to a Set will affect all linked samples.


Modulated samples are processed polyphonically (each instance of a sound is generated independently).
Modulated samples are processed polyphonically (each instance of a sound is generated independently).

Revision as of 20:03, 25 March 2014

Modulation

Adding modulation to samples greatly expands the possibilities of their sound beyond the original audio. To achieve this, various devices are chained together to create a modulation envelope. Separate envelopes are used to affect five basic properties of a sample: Volume, Panning, Pitch, and the Cutoff and Resonance of an added filter. These five envelopes are collected together as a Set. Any number of Sets can be created and each instrument has its own unique Set list.

The individual samples of an instrument can be assigned any one of its Sets, allowing different samples be affected by modulation in different ways. A Set can also be assigned to multiple samples simultaneously and any changes made to a Set will affect all linked samples.

Modulated samples are processed polyphonically (each instance of a sound is generated independently).

3.0 modulation.png

The interface is split into three sections. At the upper-left is the Set list Load & Save and the large section to right graphically shows the results of the device chain. The lower section contains the properties selector and device chain.


Modulation Devices

List on left. Name of device reflects property affected.

Input

Common Effect Layout and Controls

Each effect that you add to the chain has a standard set of buttons to perform common functions:

File:2.8 trackdsps-common.png

AHDSR

3.0 modulation-ahdsr.png

Envelope

3.0 modulation-envelope.png

Fader

3.0 modulation-fader.png

Key Tracking

3.0 modulation-keytracking.png

LFO

3.0 modulation-lfo.png

Operand

3.0 modulation-operand.png

Velocity Tracking

3.0 modulation-velocitytracking.png

Sample Properties

Volume

Panning

Pitch

Filter

Filter Type

Cutoff

Resonance